MMB Chapter 328 Education
Chapter 328 Education
Chapter 328 Education
Thursday, April 23.
The family portrait was developed, and Du Shouyi took the photos during his lunch break and sent them directly back to the courtyard, so that the old and young can feast their eyes first.
At night, Yushui looked at the children, and several adults got together again in the old lady's house.
The uncle said helplessly: "Two family portraits, let's see which one to choose."
When taking pictures, Du Shouyi was afraid that someone who would close their eyes would not look good, so he forced everyone to change positions and take another photo. In this way, there were two family photos, which was purely a waste of money.
Du Shouyi looked at the photo of the old lady for a while.
"Why do I feel that it's not as good as our family's Xiaobei?"
Everyone laughed, and the flattery was too obvious.
Xiaobei was embarrassed by everyone's laughter, blushed and patted him lightly, giving him a supercilious look.
Du Shouyi wasn't all flattering.With his taste as a 'master-level meticulous painter', he really thinks that the photos that Xiao Bei usually takes are more natural, more vivid, and more interesting to look at.
What Xiao Bei plays is snapshot streaming, which is different from the serious photo studio portraits.She now has three Leicas, one at home, one in her bag, and one in a drawer in the office.If she finds it interesting, she can 'click' two copies at any time, without worrying about the cost.
After laughing, everyone continued to choose photos, and the topic naturally turned to 'delivery'.
"Will there be any danger on the road?" the uncle asked.
"There is no problem. Although I can't tell you the specifics, I can guarantee this."
Du Shouyi was not an unreasonable person. Since he said this, the first man was relieved, but he still took a look at Qin Huairu.
Qin Huairu remained silent by the side.She was still a little pimple in her heart, but after seeing the photos, she understood a little bit.
There are fourteen people in the photo, with nine surnames.This big family was originally connected not by blood, but by love.So what if Shazhu has a son?The big family in the photo still lives together.Now that Shazhu has a queen, she doesn't have to feel indebted to the old He family, which is even better.
Like the uncle, Du Shouyi also knew that Qin Huairu had a heart knot, and he knew it the day the photo was taken.Again, this is what Qin Huairu and He Yuzhu should 'make up for'.Let them make a fuss, he wasn't going to take care of it at all.
There was nothing to say all night, and it was Friday, April 24th, in the morning.
"Ding, the host's reward for signing in today is, 'Wang Xizhi's' writing style +2%"
Looking at the small golden brush in the space, Du Shouyi understood a little. The system will not directly increase Du's brushwork, it depends on his own accumulation.And when Wang Zhao's brushwork has accumulated to a certain value, the system will provide conversion, which is enough.
After several days of creation, Du Shouyi really felt some progress.It is easy for him to enter the state of "forgetting things and me" when writing a book. He organizes the language in his mind and writes naturally with the pen.
Because he wrote it for himself, his mentality is more casual than when Wang Xizhi wrote "Qing Li Lai Qin Tie".In the same line of characters, there are regular scripts and cursive scripts at other times. I didn't deliberately think about what font to write, it was completely at will.This 'freedom' made him very relaxed and comfortable.
After downloading the brush, he continued to hold the art association meeting in earnest.
It doesn't matter what you talk about, but those sitting on and off the rostrum are all famous big cows!He, Du Shouyi, was lucky enough to be in the same room as them? !If it wasn't too bad, he would have asked for their autographs.
After the meeting, Director Tong stopped him: "Shouyi, let me introduce you to some old comrades. This is Mr. Guan and Mr. Hu, and this is my old mentor, Mr. Fu. They have been paying attention to you. .”
Du Shouyi immediately went online, and saluted the three old gentlemen respectfully.
Mr. Fu has always been very curious, he asked: "Little Du? Which great sage did you learn calligraphy from?"
"It's a family tradition. Ever since my father passed away, I've practiced alone without any apprenticeship."
"Oh, that's right." Mr. Fu smiled and said to the two people around him: "No wonder I made a round of phone calls and no one knew about it. It turned out to be a family history.".
After having a simple working meal in the cafeteria at noon, the three old gentlemen borrowed a small reception room from the Federation of Literary and Art Circles, and gave Du Shouyi a 'test'.
The young man was born out of nowhere.The level is high, the age is young, especially the strong "Jin Yun" in the writing is very rare.The three old gentlemen in the painting and calligraphy circles all became interested in him.
Needless to say, Du Shouyi's calligraphy already has its own "spirit and spirit".His meticulous painting is a master level, and his seal cutting is an advanced skill. After a "competition", he passed the test perfectly.
After the exam, the old gentlemen came to the conclusion at the same time: this little ghost is indeed a 'little ghost', very ghostly!At this level, how dare you say that you are self-taught, without a teacher?Just this two-finger grip with excellent writing skills, and the sharp changes like flowing clouds and flowing water, it is impossible to have no master!
Five-finger brush holding and vertical writing brush are the mainstream brush holding methods in later generations, that is, the pen barrel is sandwiched between the middle finger and ring finger.But this method of holding a brush only appeared in the Qing Dynasty.
At the beginning, Du Shouyi followed the habit of holding a pen with five fingers in his previous life.After downloading Zhao Mengfu's brushwork, he changed it to three fingers, because Zhao Mengfu used the three-finger grip method, which is similar to the current gesture of holding a ballpoint pen, except that he needs to hang his wrist.
After downloading Wang Xizhi's brushwork, he switched to using two fingers and three fingers alternately to see what to write.Use two fingers to write cursive, and three fingers to write in regular script.
The two kinds of "Pen Holding Memory" are downloaded together with the pen meaning, and you can switch between them as you like, without spending time on adjustments.
Why do we have to change from the five-finger method?This involves the problem of using the pen to move forward.Two-finger and three-finger writing mostly rely on the strength of the wrist, making the writing more flexible.
The pen stroke pays attention to the center, that is, the tip of the pen should be on the center line of the stroke.This is common sense.
Although this was proposed by Cai Yong, it was not so strict in the Wei and Jin Dynasties.In addition to writing posture, another big factor is the evolution of pen-making technology.
Er Wang's handwriting is beautiful, but there are many very trivial and complicated changes in brushwork, which will cause headaches for future generations.And Mi Fu is relatively concise, and Zhao Mengfu simplified Er Wang's brushwork even more.
Some critics directly said that 'Zhao Shu has changed less'.From an artistic point of view, this is true, but it is not only Zhao Mengfu's problem. It is the evolution of the writing tool "pen" that makes writing more fluent, so "less changes" have occurred.
Since the birth of the writing brush, the craftsmanship of writing brushes has changed with each generation.Jin people used 'hemp paper core' writing brushes.When writing, there will be problems such as rough edges and tangled hairs.This requires experienced calligraphers to constantly 'twist and twist' during the strokes and adjust the tip of the pen to reduce obstruction.
Do you think Wang Xizhi's non-stop mobilization is for "art"?In fact, he was just 'stroking' while writing.
This 'problem' on the pen was not resolved until the Song Dynasty.Therefore, in terms of brush-making technology, Jin and Tang brushes are the same way; Song and Yuan are the same way; Ming, Qing and modern brushes are made exactly the same.
From the perspective of calligraphy techniques, the Song, Yuan and Ming and Qing Dynasties can be combined.In the Jin and Tang Dynasties, for example, Wang Xizhi and Sun Guoting's strokes belonged to the same line, and the strokes varied a lot.However, Mi Fu and Zhao Mengfu from the Song Dynasty onwards are the same as us modern people, and they don't need to "twist" and "twist" frequently.
Writing itself has nothing to do with it. Jin people just do what they feel comfortable with and don't want to be bound by too many rules and regulations.Mr. Qi Gong also said: "I have never heard that there is a special 'chopstick technique' for holding chopsticks. The same is true for writing. You can do it according to your convenience." '
But the complexity of Jin people's writing became a 'big problem'.How 'twisted'?When to 'twist'? How much 'twist'?The habit of using pens left by these "defective pens" has become an artistic problem that is difficult to solve for future generations.
Du Shouyi has a brushwork bonus, and has studied so many 'authentic works', so he naturally understands the key points.He holds the pen very high, and the barrel of the pen is not perpendicular to the table, but has a certain inclination.There are also high-frequency adjustments and changes of fronts in the brushwork.
This kind of writing and brushwork looks like "wild way" to outsiders, but in the eyes of experts, it is the authentic "Eastern Jin Dynasty brushwork" and the beautiful "Jin Yun".It's like stepping on the beat and dancing gracefully.
It is difficult for non-experts to appreciate the complicated changes.
"Brushwork" has always been the "secret not passed on" by calligraphers, and it is only passed down from master to apprentice to father and son.
According to the legend, the way of inheritance of brushwork is: Cai Yong's brushwork was bestowed by heaven, and then passed on to Cui Ai and Cai Wenji, Wenji passed it on to Zhong Yao, Zhong Yao passed it on to Mrs. Wei, and Mrs. Wei passed it on to Wang Xizhi
As far as Du Shouyi's brushwork is concerned, how dare he say that he has no teacher?Could it be that he, like Cai Yong, was "blessed by heaven"?
Forget it, forget it, and sue his master next time.now, never mind
However, in less than half a day, the three words of Du Shouyi have been deeply remembered by several big bosses: In the future, there must be a world of "Jin Yun Zhengfa successor", and this world is still very big.
It was almost four o'clock when we got back to the factory.Du Shouyi went back to the small feeding room to have a look, then strolled to the medical building.
"Are you okay today?"
"Yes." After Dr. Ren finished speaking, he handed over the notebook.Now she admired Du Shouyi so much.
According to her friend, her father-in-law felt like a treasure since he got Du Shouyi's handwritten poems from the Chairman.He personally sent it for framing, and then held it and looked at it every day, copying it from time to time. It felt like he was possessed.
"There are only two. It's okay. I'll go and have a look after work." Du Shouyi said after writing down the address.
"Are you free this May Day? My partner's father wants to invite you to a family dinner."
Du Shouyi doesn't like to socialize, and he deliberately wants to keep a distance from the cultural circle.
He refused: "I'm not free on May Day. You know that I have a small clinic, and the holidays are the busiest time. Besides, my elder brother will come back from SJZ to visit relatives, so I'm really embarrassed."
"Oh nothing.".
He doesn't want to eat a bite of food in the cultural circle, and he wants to avoid visiting the Art Association in the future.As for Luobuluo complaining?They are all in danger and still have time to think about this?
In the evening, Du Shouyi sat under the lamp, recalling the topics discussed during lunch.
During lunch, Director Tong said that his works were well received by everyone. Some people asked the organizer after the visit, and some people wrote letters asking where they could see more.
This is the case with the Workers' Calligraphy and Painting Exhibition, but what about "Pictorial"?I'm afraid there should be several letters from the masses about him in the editorial office of Pictorial, right?It is good to have letters from the masses. Whether the masses like it or not is an important "standard" for judging calligraphy!
Speaking of which, I'm going to digress a bit.Does calligraphy have quantitative standards for judging 'good or bad'?No.Words cannot judge good or bad.It depends on whether the public likes it and whether collectors recognize it.
When Mr. Ouyang wanted to establish a "Doctor of Calligraphy", Mr. Qigong was clearly opposed to it.His old man’s opinion is: there is no doctorate in calligraphy because there is no standard.
Mr. Qi Gong was right, and Mr. Ouyang did the right thing.
Calligraphy does not have a "doctorate", so how to solve the title and treatment of calligraphers?Salary, bonus, rating, house allocation, step by step.Is it true that if you want to do calligraphy, you should be humble and eat the wind and drink the dew?
Some people say that we should beg for food from the market.This is a little ignorant of the law of development of things and ignoring social reality.
As mentioned earlier, calligraphers used to make a living not by selling calligraphy, but had other occupations. At that time, of course, they could not care about 'calligraphy education'.
But since the profession of 'calligraphy' has been subdivided, there are full-time calligraphers.After they are included in the social evaluation system, the issue of academic qualifications must be resolved.After all, calligraphers also need to have a meal and a room.
Of course, this was Du Shouyi's nonsense in 'Love in the World', and it had nothing to do with the real world.
(End of this chapter)