MMB Chapter 361 The Power of Art
Chapter 361 The Power of Art
Chapter 361 The Power of Art
It is not easy for the lawyer to believe that these paintings were painted by Liang En himself, because for him, this thing must know the truth, otherwise he will be very passive in the future.
Although this is mainly related to Liang En's own interests, for lawyers, if such a thing that is easy to be verified is found out, it is also equivalent to the end of a career.
Fortunately, it is not too difficult to prove this matter. Liang En simply took a day to invite the other party to his home, and then created a draft of an engraving in front of the other party, and displayed the slate used as the engraving out.
The thing about the slate was actually discovered by Liang En when he cast a spell last time. He found that what appeared after he used his extraordinary power to complete the session was not only the final product, but also a series of by-products in the process.
For example, if you choose to create a colored lithograph, then in addition to the picture itself, a corresponding slate will also be created.
This is why the prerequisite for using this ability is all the consumables and tools for normal painting, not just the paints and blueprints required for the finished product.
However, this also brought Liang En a lot of trouble, because nowadays printmakers often choose several metal plates as printing plates, and stone plates like this are very rare.
Fortunately, Dublin is an emerging art center, where you can find a variety of art forms, including lithograph art that has been almost eliminated, so he was able to buy this thing in the end.
To be precise, Liang En bought second-hand goods from an entire art studio this time, because it may take a long time to buy new products, and these second-hand goods are not only high-quality and cheap, but also everything is very Complete, as long as you buy it home, you can use it directly.
So after some consideration, Liang En finally decided to buy the second-hand goods from the art studio, and started drawing illustrations for "Grimm's Fairy Tales" on the day he received them.
"It's really incredible. I'm very interested in this kind of artwork, but I haven't seen many artists of your level." Watching the sketch being gradually drawn up under Liang En's hands, this The lawyer said with emotion.
In the past few years, the art trading market has become more and more chaotic, and various high-priced modern art works have emerged one after another. It is undeniable that there are indeed many high-quality goods among them, but the hype of capital and even some illegal transactions hidden in them cannot be ignored. .
Obviously, he is a true art lover, not the kind of follower, and he is somewhat dissatisfied with the current state of the art world as a whole.
"Too many people are doing some shameful things in the name of art, which has caused the entire art market to be very chaotic. Many so-called artists are purely blowing it out for money laundering. It doesn't look like this is real art."
"If you like, this painting is for you." Liang En gave the other party the draft of Snow White in front of the window sill and another printed print of Snow White.
After all, artwork still needs to be famous. Liang En knew that no matter how well-known a guy like himself was in the art world, he would only pay tens to a hundred pounds for his paintings, so these things were just right as gifts.
"Then thank you very much." Liang En's personal lawyer carefully put away the two paintings, and then put away the camera that recorded the whole process just now and said.
The camera was put here after obtaining Liang En's permission, mainly to show Liang En's artistic ability to others in the law firm, and to prove that the copyright of the picture does belong to Liang En.
To be honest, the current situation is beyond the imagination of those lawyers. They originally thought that Liang En said that there is no problem in this regard because they bought the copyright through legal means. They really did not expect these paintings to be made by Liang En.
Indeed, when Liang En posted the story of "Grimm's Fairy Tales" on the Internet before, he also included pictures, but those were actually Liang En using his sketching ability to imitate the woodblock prints that he remembered in his previous life as illustrations, and he couldn't tell the level of painting at all. Exactly how.
So after learning about Liang En's painting level, the law firm formulated a new plan, which is to operate Liang En's paintings independently.
Liang En 100% supports this point. Although the expenses for this may be more, it is more conducive to the promotion of these artworks. After all, art is not only to have its own level of operation, but also very important.
So after spending a day figuring out the details, Liang En signed an entrustment agreement with the law firm, entrusting the other party to handle matters related to printmaking.
Of course, engravings are not the only project that Liang En has obtained related to Mucha's artistic inheritance, but considering that this is the first time the two parties have cooperated in this regard, sometimes it is not appropriate to take too many steps.
After dealing with the illustrations, Liang En got in touch with the butler Lubson of Earl Bossit's house, and then sent him several design drawings related to jewelry design.
In fact, when he was in the Czech Republic before, the butler Lubzon sent Liang En and Skold a sketch of the jewelry designed for turquoise this time to let them see the newly designed jewelry.
Liang En is generally satisfied with those designs, but when he got the art inheritance about Mucha, he suddenly got inspiration, so he took the opportunity of these few days to make several designs and sent them to Butler Lubzon .
What he didn't expect was that he received a call from Butler Lubzon the next morning just after breakfast. During the phone call, Butler Lubzon said that the jewelry was very good, and if there was no problem with the copyright, he would choose some of them as new products.
"This design that combines the Art Nouveau style of the early 20th century with some modern elements is very good." During the phone call, Butler Lubzon relayed the original words of his chief jewelry designer to Liang En.
"According to our chief jewelry designer, if it weren't for the modern elements inside that seem to fit the overall style of jewelry very well, he would even suspect that this is some jewelry design draft of Mucha that is not known to the world."
"Will this kind of Art Nouveau jewelry in the early 20th century look outdated today?" Liang En asked in an uncertain tone. "It's been a century after all."
"No, of course not outdated." Butler Lubzon immediately replied, "These designed jewelry have surpassed the scope of ordinary consumer goods and become a kind of art, and art is not limited by time."
"I hope that if possible, it is best to ask these jewelry designers to design a whole set of turquoise-based jewelry with ancient Egyptian styles as the top product of our set of turquoise jewelry."
"No problem, just give me two days to finish these things and send you the pictures." Because this is closely related to his own interests, Liang En quickly expressed that he would finish this matter in a short time.
In the next two days, Liang En synthesized the archaeological discoveries about ancient Egypt and ancient Egyptian texts and designed two sets of jewelry in one go, and then sent the design drawings to Butler Lubzon.
(End of this chapter)